It's all about process for me. As I said before using a large antique film camera creates a need for going slow for being intentional. I don't even have shutters for my lenses. The exposures are manual. It means I observe everything, take it all in. Mind and body cooperate in the creation of the negative. Experience tells me how to adjust the exposure for what the light meter doesn't see. Then the custom development of each frame to maximize its potential. Followed up by printing on Fiber Silver Gelatin Paper in the traditional wet darkroom.